GUILLAUME MASSART TRIPTYQUE FILMS

Hard Goods , 26 minutes is his eigth film, a short video art piece using split-screen as a way of showing documentary facts. It’s the last chapter of his protest tetralogy about the ultra-liberal French city of Levallois-Perret. His tenth short film, Toward Singing Tomorrows 15 minutes, , is co-directed with Adrien Mitterrand. Norte Distribution will release this documentary in French theaters in Born in in the French Ardennes, Guillaume Massart directs and produces documentary films, essays, experimental films and video art. It was screened in many international festivals. Join us on Facebook.

Guillaume Massart extends his questionings about utopia and its possible abuses, and about contemporary representation of reality. The movie is a ironic walk through a temporary funfair in Levallois-Perret, celebrating Hollywood myths and merchandising. It sheds the light on the declining industries in the French Ardennes, giving the floor to three generations of struggling workers – victims of the capitalist dragon. The Center , 18 minutes , co-directed with Julien Meunier is his ninth film, using VHS video to explore an ultramodern shopping center. The voice over read by Michael Lonsdale deconstructs the boring aesthetics of animal documentaries, subverting and transforming it into an offensive political weapon, turned against the Vincennes detention center, where illegal immigrants are hidden away from the public gaze. These first steps in the carceral universe will lead him to his first feature.

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Sending us back to Hitchcock and genre cinema mixed with aesthetic modernity, it symbolically deals with the way immigrants are repressed. It was edited in DVD by Docnet.

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Join us on Masart. These first steps in the carceral universe will lead him to his first feature. Co-directed with Julien Meunierit confirms the validity of the self-production experiment with Triptyque Films. In The Open is his first feature. The voice over read by Michael Lonsdale deconstructs the boring aesthetics of animal documentaries, subverting and transforming it into an offensive political weapon, turned against the Vincennes detention center, where illegal immigrants are hidden away from the public gaze.

Xenocristal contains the core of Guillaume Massart ‘s later films, through the way he questions the mise en scene of reality and its aesthetic and political consequences upon figurative modernity. The Center massartt, 18 minutesco-directed with Julien Meunier is his ninth film, using VHS video to explore an ultramodern shopping center.

The movie is a ironic walk through a temporary funfair in Levallois-Perret, celebrating Hollywood myths and merchandising.

Born in in the French Ardennes, Guillaume Massart directs and produces documentary films, essays, experimental films and video art. The latter goes on in with Physiopolis IV 55 minutes,guiloaume seventh film, which he wrote and directed with Adrien Mitterrand. An allegory of the mercantile system, it criticizes the way it turns human relations into stone.

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It was shot in Casabianda, an open prison in Corsica. It sheds the light on the declining industries in the French Ardennes, giving the floor to three generations of struggling workers – victims of the capitalist dragon.

Hard Goods26 minutes is his eigth film, a short video art piece using split-screen as a way of showing documentary facts. It’s the last chapter of his protest tetralogy about the ultra-liberal French city of Levallois-Perret.

It was screened in many international festivals. Norte Distribution will release this documentary in French theaters in His tenth short film, Toward Singing Tomorrows 15 minutes,is co-directed with Adrien Mitterrand.

Guillaume Massart extends his questionings about utopia and its possible abuses, and about contemporary representation of reality.